Affiliation:
1. Independent Researcher, London SW5 0QF, UK
Abstract
It is a matter to ponder that, among the three Abrahamic monotheisms, Islam places the greatest ontotheological distance between the human and the divine. While God is the ground of being Muslim, Islam excludes theophany and prohibits any tangible association between the divine and anything in the material world. God’s mode of manifesting Himself to His creatures has consisted of the most fleeting and discorporate of all means of communication, namely, sound. His words gathered in the Qur’an thus form a non-solid verbal bridge crossing over that unfathomable distance. One could then think that the relationship between the unique Creator and His creatures relies only on the strength of a blind faith founded on a dry, discursive pact. Arguing his “idea of an anthropology of Islam”, Talal Asad did posit that this religion and its culture form “a discursive tradition”. Exclusively focused on the mental modes of knowledge acquisition, this cognitivist verbalist characterization has become a certitude in Islamic studies at large. Yet, it is only a half-truth, for it overlooks the emphatic involvement, in the definition of this tradition of Islam, of the non-linguistic phenomenality of experience that implicates the pre-logical non-cognitive double agency of affect and sensation in the pursuit of divine knowledge. This article expounds this phenomenology of the Qur’an in using an innovative combination of philosophical and literary conceptualities, and in addressing some hermeneutical problems posed by the established Quranic studies.
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