Analytical Study of Polychrome Clay Sculptures in the Five-Dragon Taoist Palace of Wudang, China

Abstract

During the Ming Dynasty, the Five-Dragon Palace functioned as a royal Taoist temple set atop one of China’s holiest Taoist mountains, Wudang Mountain. Two tower polychrome sculptures with exquisite craftsmanship have remained over the centuries. In this study, the painting materials and the techniques used to construct these sculptures were analyzed through multiple characterization methods, including optical microscope (OM) observations, micro-Raman spectroscopy, scanning electron microscopy–energy-dispersive X-ray spectroscopy (SEM−EDS), X-ray diffraction (XRD), micro-Fourier-transform infrared spectroscopy (μ−FTIR), and pyrolysis–gas chromatography/mass spectrometry (Py−GC/MS). The results revealed that the pigments used in these sculptures included red pigments, which were composed of mercury (II) sulfide (cinnabar or vermillion), minium (Pb3O4), and hematite (Fe2O3); green pigments, which included atacamite and botallackite (Cu2Cl(OH)3), and blue pigments, which comprised smalt (CoO·nSiO2) and azurite (Cu3(CO3)2(OH)2). The white base layer was composed of quartz and mica minerals combined with gypsum or plant fiber, and the gold foil was adhered to the surface using heated tung oil. In addition, a special multi−layer technique was applied, with red under the golden gilding, white under the blue layer, and gray and black under the green layer. Drying oil was used as a binder for lead-containing pigments. This study offers substantial proof of reliable techniques to use in the continuing conservation of these sculptures, and it also serves as a foundation to determine if they can be dated to the late Ming or early Qing Dynasty (17th century).