Abstract
Historical and archaeological records help shed light on the production, ritual practices, and personhood of cult objects characterizing the central Peruvian highlands after ca. AD 200. Colonial accounts indicate that descendant groups made and venerated stone images of esteemed forebears as part of small-scale local funerary cults. Prayers and supplications help illuminate how different artifact forms were seen as honored family members (forebears, elders, parents, siblings). Archaeology, meanwhile, shows the close associations between carved monoliths, tomb repositories, and restricted cult spaces. The converging lines of evidence are consistent with the hypothesis that production of stone images was the purview of family/lineage groups. As the cynosures of cult activity and devotion, the physical forms of ancestor effigies enabled continued physical engagements, which vitalized both the idol and descendant group.
Funder
Arts and Humanities Research Council
Reference97 articles.
1. Historia Natural y Moral de Las Indias;Acosta,1954
2. Archaeologies of Ontology
3. The Hold Life Has: Coca and Cultural Identity in an Andean Community;Allen,1988
4. The Whole World Is Watching: New Perspectives on Andean Animism;Allen,2015
5. Dioses y Hombres de Huarochirí: Narración Quechua Recogida Por Francisco de Avila (¿1598?),1966
Cited by
3 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献