Giovanna Garzoni Miniaturist at the Savoy Court: Imaging and Materials Investigations to Discover the Painting Technique

Author:

Gargano Marco1ORCID,Interlenghi Matteo2ORCID,Cavaleri Tiziana34ORCID,Salvatore Christian25,Ludwig Nicola1ORCID,Castiglioni Isabella26ORCID

Affiliation:

1. Dipartimento di Fisica Aldo Pontremoli, Università degli Studi di Milano, Via Celoria 16, 20133 Milano, Italy

2. DeepTrace Technologies S.R.L., Via Conservatorio 17, 20122 Milano, Italy

3. Centro per la Conservazione e il Restauro dei Beni Culturali “La Venaria Reale”, Via XX Settembre 18, 10078 Torino, Italy

4. Dipartimento di Economia e Impresa, Università della Tuscia, Via del Paradiso 47, 01100 Viterbo, Italy

5. Department of Science, Technology and Society, University School for Advanced Studies IUSS Pavia, 27100 Pavia, Italy

6. Dipartimento di Fisica Giuseppe Occhialini, Università degli Studi di Milano Bicocca, Piazza della Scienza 3, 20126 Milano, Italy

Abstract

The exhibition “The Ladies of Art”, held at the Palazzo Reale in Milan in 2021, focused on the history of women artists during the 16th and 17th centuries. As part of the exhibition, a series of diagnostic analyses have been carried out on two paintings, thanks to the collaboration of several research institutions. The considered artworks consist of two paintings on parchments, realized by Giovanna Garzoni at the Savoy Court in the 17th century. Diagnostic analyses were performed using different, complementary, and non-invasive techniques: high-resolution multiband imaging, hyperspectral imaging, optical microscopy, X-ray fluorescence, and FORS spectrometry, combined with advanced post-processing techniques, in order to map and distinguish the pigments and the underdrawing of both the paintings. This research is the first conducted on these paintings and one of the few on the entire works of this important miniaturist. The results showed an incredibly meticulous painting technique, with a detailed metal point underdrawing and painstaking brushstrokes to describe the details with a high degree of realism. Precious materials, such as gold and lapislazuli, were identified and mapped. The findings of this work represent a new contribution of knowledge, which helps to lessen the lack of information for systematic studies on the artistic production of G. Garzoni.

Funder

Bracco Foundation

Publisher

MDPI AG

Subject

Fluid Flow and Transfer Processes,Computer Science Applications,Process Chemistry and Technology,General Engineering,Instrumentation,General Materials Science

Reference27 articles.

1. Baudi di Vesme, A. (1963). Schede Vesme. L’Arte in Piemonte dal XVI al XVIII Secolo, Piedmontese Society of Archeology and Fine Arts.

2. Viale, V. (1963). Mostra del Barocco Piemontese: Pittura, Scultura Arazzi, Città di Torino.

3. Astrua, P., Kraeck, J., and Galleria, S. (2005). "Il Nostro Pittore Fiamengo": Giovanni Caracca Alla Corte Dei Savoia (1568-1607)

4. [Galleria Sabauda, Torino, 21 Settembre 2005-8 Gennaio 2006], Allemandi.

5. Fumagalli, E., and Morselli, R. (2014). The Court Artist in Seventeenth-Century Italy, Viella.

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