The Narrative Foundations of Radical and Deradicalizing Online Discursive Spaces: A Comparison of the Cases of Generation Islam and Jamal al-Khatib in Germany

Author:

Ali Rami1,Özvatan Özgür1ORCID,Walter Linda2

Affiliation:

1. Berlin Institute for Integration and Migration Research, Humboldt-Universität zu Berlin, 10999 Berlin, Germany

2. Faculty of Social and Cultural Sciences, Europa-Universität Viadrina, 15230 Frankfurt an der Oder, Germany

Abstract

Radical/extremist Islamist actors use social media to disseminate uncompromising stories of monist religious political orders and identities. As a reaction, counter-movements to online Islamist radicalism/extremism emerged in Western societies (and beyond), while uncertainty about effective outcomes remains widespread. In a bid to understand how inclusionary and exclusionary discursive spaces are created, we ask: How do some Muslim actors create discursive spaces open to self-reflection, pluralism and liberal-democratic principles, while others construct illiberal, particularistic and non/anti-democratic spaces? To respond to this question, we compare two contrasting storytellers, one who agitates for exclusionary Islamist radicalism/extremism (Generation Islam) and one who offers inclusionary prevention and deradicalization work against that (Jamal al-Khatib). We draw on novel narrative approaches to the Discourse Historical Approach (DHA) in Critical Discourse Studies (CDS), via which we compare text-level and context-level narratives disseminated about three Muslim-related crises: the racist terrorist attacks/genocide to represent the national, European and global level. Our two-layered, DHA-inspired narrative analysis illustrates that, at the level of text, narrative persuasion varies between both contrasting actors. While Jamal al-Khatib disseminates persuasive stories, Generation Islam is much less invested in narrative persuasion; it seems to address an already convinced audience. These two text-level strategies reveal their meaning in two antagonistic narrative genres: Jamal al-Khatib’s “self-reflexive savior” creates an inclusionary discursive space represented in a self-ironic narrative genre, while Generation Islam’s ”crusading savior” manufactures an exclusionary discursive space represented in a romance featuring a nostalgic return to the particularistic Islamic umma.

Funder

German Ministry for Education and Research

Publisher

MDPI AG

Subject

Religious studies

Reference104 articles.

1. Adraoui, Mohamed-Ali (2018). The Islamists and International Relations: A Dialectical Relationship?, Edinburgh University Press.

2. Ernst, Julian, Trompeta, Michalina, and Roth, Hans-Joachim (2020). Gegenrede Digital. Neue und alte Herausforderungen Interkultureller Bildungsarbeit in Zeiten der Digitalisierung, Springer VS.

3. Ali, Rami (2022, November 08). Warum Tiktok Islamisten und Rechtsextreme magisch anzieht. Available online: https://www.derstandard.at/story/2000131635412/warum-tiktok-rechtsextreme-und-islamisten-magisch-anzieht.

4. Ali, Rami (2022, November 11). Terror in Wien. Available online: https://www.jetzt.de/politik/terror-in-wien.

5. Ali, Rami, and Reicher, Fabian (2022, November 11). Jamal al-Khatib—Mein Weg. Online-Streetwork Gegen Gewalttätigen Extremismus. Radikalisierungsprävention Islamismus. Bundeszentrale für Politische Bildung (bpb). Available online: https://www.bpb.de/themen/infodienst/291167/jamal-al-khatib-mein-weg/.

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