Productive Psychoses: Views on Terrorism and Politics in Homeland

Abstract

In the eight seasons of Showtime’s television show Homeland, leading character Carrie suffers from a bipolar disorder which repeatedly results in psychotic episodes. During these psychotic breakdowns, her grip on reality is disturbed by delusions. However, her psychotic disposition also leads to abilities and insights that make her a valuable agent in international secret agencies such as the CIA. This essay examines how the productivity of Carrie’s psychoses can be related to the political, military-industrial order within which she operates as a spy fighting terrorism and other threats to national and international security. What does the fact that a person suffering from psychoses is able to comprehend complex international political processes tell us about these processes and the context in which they occur? To answer this question, I turn to two scholars, both of whom have theorized subjectivity in relation to psychosis: psychoanalyst Jacques Lacan and philosopher Mauricio Lazzarato. The radically different notions of Lacan and Lazzarato lead to different interpretations of Homeland. However, although Lazzarato is a critical opponent of Lacanian psychoanalysis, I demonstrate that Lacan’s psychoanalytical ideas and Lazzarato’s machine theories can to some extent be read as complementary in an analysis of Homeland, for what the two distinct theorists have in common is that they both relate subjectivity to sign systems—to the emergence and assignment of meaning, as well as to the suspension and absence thereof. This paper argues that the psychoses of Homeland’s lead character produce political meanings because of the condition’s specific relation to meaninglessness.