A Computational Approach to Hand Pose Recognition in Early Modern Paintings

Author:

Bernasconi Valentine1ORCID,Cetinić Eva2,Impett Leonardo3

Affiliation:

1. Digital Visual Studies, University of Zurich, 8006 Zurich, Switzerland

2. Digital Society Initiative, University of Zurich, 8001 Zurich, Switzerland

3. Cambridge Digital Humanities, University of Cambridge, Cambridge CB2 1RX, UK

Abstract

Hands represent an important aspect of pictorial narration but have rarely been addressed as an object of study in art history and digital humanities. Although hand gestures play a significant role in conveying emotions, narratives, and cultural symbolism in the context of visual art, a comprehensive terminology for the classification of depicted hand poses is still lacking. In this article, we present the process of creating a new annotated dataset of pictorial hand poses. The dataset is based on a collection of European early modern paintings, from which hands are extracted using human pose estimation (HPE) methods. The hand images are then manually annotated based on art historical categorization schemes. From this categorization, we introduce a new classification task and perform a series of experiments using different types of features, including our newly introduced 2D hand keypoint features, as well as existing neural network-based features. This classification task represents a new and complex challenge due to the subtle and contextually dependent differences between depicted hands. The presented computational approach to hand pose recognition in paintings represents an initial attempt to tackle this challenge, which could potentially advance the use of HPE methods on paintings, as well as foster new research on the understanding of hand gestures in art.

Publisher

MDPI AG

Subject

Electrical and Electronic Engineering,Computer Graphics and Computer-Aided Design,Computer Vision and Pattern Recognition,Radiology, Nuclear Medicine and imaging

Reference60 articles.

1. Schmitt, J.C. (1990). La Raison des Gestes Dans L’Occident Médiéval, Editions Gallimard.

2. Wittkower, R. (1992). La Migration des Symboles, Thames & Hudson. Iconologia.

3. Dimova, T. (2020). Le Langage des Mains Dans L’art: Histoire, Significations et Usages des Chirogrammes Picturaux aux XVIIe et XVIIIe Siecles, Brepols Publishers.

4. Bremmer, J., and Roodenburg, H. (1991). A Cultural History of Gesture. From Antiquity to the Present Day, Polity Press.

5. Agarwal, S., Karnick, H., Pant, N., and Patel, U. (2015, January 5–9). Genre and Style Based Painting Classification. Proceedings of the 2015 IEEE Winter Conference on Applications of Computer Vision, Waikoloa, HI, USA.

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