Affiliation:
1. Department of Evolutive and Education Psychology, Universidad Autónoma de Madrid, 28049 Madrid, Spain
Abstract
Musical performance anxiety (MPA) is considered a subtype of social phobia and affects musicians who must face musical exposure in public, potentially severely affecting their emotional stability and significantly impairing the quality of their performance. This research has utilized previous scientific knowledge on the issue and a qualitative approach to musicians’ needs through focus groups in order to design a collective preventive program for MPA that could be implemented within the training curriculum of professional musicians. To evaluate the adequacy of the preventive program ‘ConfiDance’, a pilot test was conducted with a sample of 17 professional musicians in training, all post-graduate students in classical music performance. For the pilot test, a quasi-experimental model with a repeated measures methodology (pre-post and one-year follow-up after application) was carried out. The results indicate a significant decrease in MPA after the program implementation, with a notable improvement in effect one year post-application, demonstrating an even greater positive impact over time. These data should be interpreted cautiously due to sample limitations but represent an opportunity for the future implementation of a program that can prevent and treat MPA in music education centers.
Reference82 articles.
1. World Health Organization (1992). ICD 10: International Statistical Classification of Diseases and Related Health Problems, American Psychiatric Association Publishing Inc.. [10th ed.].
2. American Psychiatric Association (2023). Diagnostic and Statistical Manual of Mental Disorders (DSM-5-TR), American Psychiatric Association.
3. Music Performance Anxiety among Students of the Academy in Lithuania;Paliaukiene;Music Educ. Res.,2018
4. Intervención basada en atención plena compasiva en estudiantes de música con sintomatología ansiosa;Psicol. Salud,2023
5. Conti, G. (2018). La Ansiedad por Performance Musical como Emergente de las Modalidades de Intervención Docente Durante la Clase de Instrumento. [Ph.D. Thesis, Universidad Nacional de La Plata].