Integrating NFTs into Feminist Art Practices: Actualizing the Disruptive Potential of Decentralized Technology

Author:

Ponder Natalie1ORCID

Affiliation:

1. Collections and Exhibition Specialist, Sixth Street Museum District, Hattiesburg, MS 39401, USA

Abstract

The integration of NFT technology into the art market utilizes a two-pronged approach of decentralization and increased accessibility as an equalizing answer to rectify gender discrepancies in the contemporary art world. This is not the first time that technology as an art medium has been used as a feminist tool to disrupt the previously established status quo. Through the exploration of the 1990’s Cyberfeminist Net Art Movement, this article will discuss how female-identifying artists employ technological characteristics such as anonymity and online gender masquerading to answer the exclusionary issues affecting their art practices. Furthermore, it will examine how NFTs work to build upon the previously established revolutionary movement of the 1990s to evolve the contemporary art practices of feminist artists. Additionally, this article will address the impacts of this new digital landscape, where anonymity is preferred and algorithmic ordering is non-existent, as a more pragmatic way of creating, selling, and buying art. Finally, this article will examine how the integration of blockchain technology—entirely machine-operated and free from human manipulation—aims to eliminate the human biases of identifying factors such as gender that can be concealed or fabricated when operating in an online sphere.

Publisher

MDPI AG

Reference56 articles.

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3. Barratt, Bianca (2024, July 01). How Female Creators Can Encourage More Women to Invest in Nfts, Forbes, Available online: https://www.forbes.com/sites/biancabarratt/2022/05/20/how-female-creators-can-encourage-more-women-to-invest-in-nfts/.

4. Bein, Kat (2024, July 01). The 20 Top-Selling NFT Artists to Collect Right Now, Gotham, Available online: https://gothammag.com/top-selling-nft-artists.

5. Boroff, Philip (Artnet News, 2015). Art World Bias by the Numbers, Artnet News.

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