Affiliation:
1. Art and Art History, University of Vermont, Burlington, VT 05405, USA
Abstract
Transness throws into question how many so-called Western cultures—i.e., those ideologically descended from the colonial project—have sutured “reality” to the “privileging of sight”. At the crux of trans-visual culture is a need to be understood outside current modes of visual apprehension. As a methodology rooted in trans-embodied experiences, trans provides a mode for decolonizing the privileging of sight and moving toward a new understanding of bodies, identity, representation, and visual culture. It is imperative to explore such methods in today’s political climate, and it is advantageous to apply them to trans-visual culture, as exponential innovations can be discerned. In this article, I will deploy a trans visual studies methodology to the work of contemporary trans masculine artist and photographer Wynne Neilly to explore how his work engages a praxis of transing identity. I will discuss how his work shifts the understanding of identity and representation to one decoupled from optical ontology and how he works to unseat White masculinity as the center of Western art and visual culture.
Subject
General Materials Science
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