Transforming Circe: Latin Influences on the Depiction of a Sorceress in Renaissance Cassone Narratives

Author:

Franklin Margaret1

Affiliation:

1. James Pearson Duffy Department of Art and Art History, Wayne State University, Detroit, MI 48202, USA

Abstract

This article addresses the use of Latin accounts of Homer’s archetypal sorceress, Circe, in visual narratives constructed to embellish quattrocento marriage chests (cassoni). I argue that Apollonio di Giovanni employed the writings of both ancient (Virgil) and late medieval (Boccaccio) Latin authors to construct a characterization of Circe that rendered her power to transform men into beasts relevant to the functioning of Early Renaissance homes and societies.

Publisher

MDPI AG

Subject

General Materials Science

Reference58 articles.

1. Bailey, Michael D. (2017). Fearful Spirits, Reasoned Follies. The Boundaries of Superstition in Late Medieval Europe, Cornell University Press.

2. Griselda, or The Renaissance Bride Stripped Bare by Her Bachelor in Tuscan Cassone Painting;Baskins;Stanford Italian Review,1991

3. Baskins, Cristelle L. (1998). Cassone Painting, Humanism, and Gender in Early Modern Italy, Cambridge University Press.

4. Baskins, Cristelle L., Randolph, Adrian W. B., and Musacchio, Jacqueline Marie (2008). The Triumph of Marriage: Painted Cassoni of the Renaissance, Isabella Steward Gardner Museum.

5. Bec, Christian (1984). Les livres des Florentins (1413–1608), Olschki.

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