From Historical Memory to Cultural Identity: The Construction of Archetypal Symbols for the Statues and Images of Mazu

Author:

Zhang Beibei1,Shu Xiaping1ORCID,Liu Hongwen1

Affiliation:

1. School of Art, Soochow University, Suzhou 215123, China

Abstract

The archetypal symbols of Mazu’s statues and pictorial art are the mapping of a religious concept, a way of belief, and some programmed behaviours and rituals. They are also emotional imagery used to arouse the cultural awareness of international Chinese, inspire them to help and trust each other, to encourage and to comfort each other, to share weal and woe, and to always forge ahead. From the perspectives of historical memory, visual signs, and cultural identity, this paper explores the construction of archetypal symbols for the statues and images of Mazu. In addition, this paper generalizes the foundation and methods of this construction by analyzing the artistic forms and characteristics of the surviving Mazu images and statues and comparing the rules and regulations for making statues of other religions. Moreover, we consider the function of artistic signs that refer to and symbolize broader religious concepts and beliefs. The purpose of this work is to make the image of Mazu more visually present and strengthen cultural identity.

Funder

National Social Science Fund of China

Publisher

MDPI AG

Reference35 articles.

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3. Cai, Xiang, and Xu, Huobo (1996). Cai Xiang ji, Shanghai Classics Publishing House. Collated by Yining Wu.

4. The religious culture of southern Fujian, 750–1450: Preliminary reflections on contacts across a maritime frontier;Clark;Asia Major,2006

5. Dean, Kenneth (1993). Taoist Ritual and Popular Cults of South-East China, Princeton University Press.

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