Stradivari’s Varnish Revisited: Feature Improvements Using Chemical Modification

Author:

Weththimuni Maduka L.12ORCID,Fiocco Giacomo23,Milanese Chiara1ORCID,Spinella Alberto4,Saladino Maria Luisa5ORCID,Malagodi Marco23ORCID,Licchelli Maurizio12ORCID

Affiliation:

1. Department of Chemistry, University of Pavia, Via T. Taramelli 12, 27100 Pavia, Italy

2. Research Center for the Conservation of Cultural Heritage (CISRiC), University of Pavia, Via A. Ferrata 3, 27100 Pavia, Italy

3. Department of Musicology and Cultural Heritage, University of Pavia, Corso Garibaldi 178, 26100 Cremona, Italy

4. Advanced Technologies Network Center, University of Palermo, Viale delle Scienze, Ed. 18, 90128 Palermo, Italy

5. Department of Biological, Chemical, and Pharmaceutical Sciences and Technologies (STEBICEF), University of Palermo, Viale delle Scienze, Ed. 17, 90128 Palermo, Italy

Abstract

The most widespread varnish formulations used by master violin-makers of the “Italian Golden Age”, including Antonio Stradivari, were based on mixtures of siccative oils (e.g., linseed oil) and natural resins (e.g., colophony). Similar formulations are still used for the finish of contemporary instruments. Although most precious violins made by Stradivari and other Cremonese Masters are kept in museums, several instruments are still played and their finish may undergo deterioration due to contact with the players. Moreover, the decay of the traditional varnish may occur due to mechanical stress and natural aging caused by environmental agents (e.g., exposure to uncontrolled light, humidity, and temperature changes). The main aim of this research work is to investigate the possible improvement of varnish resistance to the decay induced by different aging processes. For this purpose, the traditional varnish (linseed oil/colophony 3:1 w/w) was recreated in the laboratory following an ancient recipe and then it was functionalized with a cross-linking agent (3-Glycidyloxypropyltrimethoxysilane, GLYMO). Plain and functionalized varnishes underwent artificial aging (UV light, temperature, and humidity variations), and their properties were comparatively studied using different techniques. All the results suggest that the functionalized varnish displays improved resistance to the aging process and particularly enhanced photostability and increased hardness (resistance to scratches).

Funder

Ministero dell’Università e della Ricerca

University of Pavia

Publisher

MDPI AG

Subject

Polymers and Plastics,General Chemistry

Reference46 articles.

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2. Frequency dependent mechanical properties of violin varnishes and their impact on vibro-mechanical tonewood properties;Lammlein;Results Mater.,2021

3. Fiocco, G., Gonzalez, S., Invernizzi, C., Rovetta, T., Albano, M., Dondi, P., Licchelli, M., Antonacci, F., and Malagodi, M. (2021). Compositional and Morphological Comparison among Three Coeval Violins Made by Giuseppe Guarneri “del Gesù” in 1734. Coatings, 11.

4. Experimental Characterization of Oil-Colophony Varnishes: A Preliminary Study;Weththimuni;Int. J. Conserv. Sci.,2016

5. Van den Berg, J.D.J. (2002). Analytical Chemical Studies on Traditional Linseed Oil Paints. [Ph.D. Thesis, University of Amsterdam]. Available online: https://pure.uva.nl/ws/files/3716376/20662_Thesis.pdf.

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