The Evangelical Reception of Mary Magdalene in The Chosen Series, Seasons 1 and 2

Abstract

The Chosen is a wide-reaching series born within American Evangelicalism in 2019, whose academic interest resides in its value as a cultural product that has been gaining influence after the release of its four seasons. This article discusses the reception of Mary Magdalene in two chapters (S1/E1 and S2/E5) on the basis of two key principles that characterise North American conservative Evangelicalism: biblical inerrancy and its “born-again” model of conversion. The last part presents the difficult compromise between these religious values and filmic fictionalism, which leads to maintaining the traditional image of the repentant prostitute, though with a few particularities: the disappearance of all features of sensuality, an ambiguous interpretation of demon possession that is linked to an episode of sexual abuse and the story of Mary Magdalene’s childhood.