Affiliation:
1. Kyiv National University of Construction and Architecture
2. Cracow University of Technology
Abstract
The article analyses the origins of such a small architectural form as the Chinese pavilion, investigates its functional, planning and artistic figurative features. The evolution of functional and artistic figurative solution of pavilions from dynasty to dynasty is determined. On the basis of the dimensions of the preserved pavilions, their proportional and metro-rhythmic features were determined; a list of the most characteristic forms of roofs as the main exponents of the national originality of the Chinese pavilions was compiled. The reasons for the revival of the tradition of “chinoiserie” style in modern landscape design are argued.
Publisher
Latvia University of Life Sciences and Technologies
Subject
Nature and Landscape Conservation,Agricultural and Biological Sciences (miscellaneous),Visual Arts and Performing Arts,Geography, Planning and Development
Cited by
11 articles.
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