Animation, Fabrication, Photography: Reflections upon the Intersecting Practices of Sub-Saharan Artists within the Moving Image

Author:

Callus Paula1

Affiliation:

1. Paula Callus is senior lecturer at the National Centre of Computer Animation at Bournemouth University. Her expertise is in sub-Saharan African animation, with previous experience in this field including educational consultancy and training for UNESCO's Africa Animated projects and compiling animation programmes for various festivals such as Africa in Motion (Edinburgh), Cambridge African Film Festival, Meknes Animation Festival (Morocco), and Africa at the Pictures (London). .

Publisher

MIT Press - Journals

Subject

Literature and Literary Theory,Visual Arts and Performing Arts

Reference17 articles.

1. The Ontology of the Photographic Image

2. Bendazzi G. 2004. “African Cinema Animation”. Enter Text 4 (1): 10–26.

3. Reading Animation through the Eyes of Anthropology: A Case Study of sub-Saharan African Animation

4. Animation as socio-political commentary: an analysis of the animated films of Congolese director Jean Michel Kibushi

5. Convents G. 2003. “Da artigiano a professionista. La lunga e difficile strada di una passion”. In African Cartoons, ed. Bazzoli M.S., pp. 67–71. Milano: Editrice Il Castoro.

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