Sonification of a 3-D Spider Web and Reconstitution for Musical Composition Using Granular Synthesis

Author:

Su Isabelle1,Qin Zhao2,Saraceno Tomás3,Bisshop Ally4,Mühlethaler Roland5,Ziporyn Evan6,Buehler Markus J.7

Affiliation:

1. Laboratory for Atomistic and Molecular Mechanics (LAMM) isu@mit.edu

2. Laboratory for Atomistic and Molecular Mechanics (LAMM) qinzhao@mit.edu

3. Studio Tomás Saraceno Hauptstrasse 11/12, 10317 Berlin, Germany tomas@t-saraceno.org

4. Studio Tomás Saraceno Hauptstrasse 11/12, 10317 Berlin, Germany ally@t-saraceno.org

5. Studio Tomás Saraceno Hauptstrasse 11/12, 10317 Berlin, Germany roland@t-saraceno.org

6. Department of Music and Theater Arts zipo@mit.edu

7. Massachusetts Institute of Technology 77 Massachusetts Avenue, Cambridge, Massachusetts 02139, USA mbuehler@mit.edu

Abstract

Abstract Three-dimensional spider webs feature highly intricate fiber architectures, which can be represented via 3-D scanning and modeling. To allow novel interpretations of the key features of a 3-D Cyrtophora citricola spider web, we translate complex 3-D data from the original web model into music, using data sonification. We map the spider web data to audio parameters such as pitch, amplitude, and envelope. Paired with a visual representation, the resulting audio allows a unique and holistic immersion into the web that can describe features of the 3-D architecture (fiber distance, lengths, connectivity, and overall porosity of the structure) as a function of spatial location in the web. Using granular synthesis, we further develop a method to extract musical building blocks from the sonified web, transforming the original representation of the web data into new musical compositions. We build a new virtual, interactive musical instrument in which the physical 3-D web data are used to generate new variations in sound through exploration of different spatial locations and grain-processing parameters. The transformation of sound from grains to musical arrangements (variations of melody, rhythm, harmony, chords, etc.) is analogous to the natural bottom–up processing of proteins, resembling the design of sequence and higher-level hierarchical protein material organization from elementary chemical building blocks. The tools documented here open possibilities for creating virtual instruments based on spider webs for live performances and art installations, suggesting new possibilities for immersion into spider web data, and for exploring similarities between protein folding, on the one hand, and assembly and musical expression, on the other.

Publisher

MIT Press - Journals

Subject

Computer Science Applications,Music,Media Technology

Reference33 articles.

1. Reconstructing Web Evolution and Spider Diversification in the Molecular Era.;Blackledge;Proceedings of the National Academy of Sciences of the United States of America,2009

2. Sonic Visualiser: An Open Source Application for Viewing, Analysing, and Annotating Music Audio Files.;Cannam;Proceedings of the ACM International Conference on Multimedia,2010

3. Biomateriomics

4. Nonlinear Material Behaviour of Spider Silk Yields Robust Webs;Cranford;Nature,2012

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