Affiliation:
1. (artist, engineer), 1161 De Haro Street, San Francisco, CA 94107, U.S.A. E-mail: <>.
Abstract
The author discusses the relationship of interactive art to the structure of the computer, in particular commenting on artists' choices in using different kinds of systems, programs and interface devices. He discusses the problems inherent in the reduction of an artist's concept to a mathematical representation, a transformation that is necessary to allow a work to be implemented on a computer. Discussing the potential of the computer to allow a work to be able to change and grow over time through the extraction and storage of information, he looks for new, untouched directions for interactive art.
Subject
Computer Science Applications,Music,Engineering (miscellaneous),Visual Arts and Performing Arts
Cited by
8 articles.
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2. Recasting the data sublime in media architecture;Proceedings of the 3rd Conference on Media Architecture Biennale;2016-06
3. Audience-artwork interaction;International Journal of Arts and Technology;2015
4. (Perceived) interactivity;Proceedings of the SIGCHI Conference on Human Factors in Computing Systems;2009-04-04
5. Faire œuvre commune. Dynamiques d'attribution et de valorisation des coproductions en art numérique;Sociologie du Travail;2007-04