Reverend Billy: Preaching, Protest, and Postindustrial Flânerie-Reference-Cited by-同舟云学术

Reverend Billy: Preaching, Protest, and Postindustrial Flânerie

Published:2002-03 Issue:1 Volume:46 Page:60-84
ISSN:1054-2043
Container-title:TDR/The Drama Review
language:en
Short-container-title:TDR/The Drama Review

Author:

Lane Jill¹

Affiliation:

1. Assistant Professor of global studies at Ohio State University. Her work focuses on comparative approaches to performance in the Americas; her forthcoming book is Blackface Cuba: Racial Impersonation, National Desire, and Anticolonial Performance, 1840–1898.

Abstract

Reverend Billy rages against the noxious effects of consumerism, transnational capital, and the privatization of public space and culture. His “Church of Stop Shopping” represents a fascinating departure for new left theatre in the era of global capital.

Publisher

MIT Press - Journals

Subject

Literature and Literary Theory,Visual Arts and Performing Arts

Link

http://www.mitpressjournals.org/doi/pdf/10.1162/105420402753555859

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