Affiliation:
1. Professor of Communication Studies and Theatre Arts and Dance at California State University, Los Angeles
Abstract
In the aftermath of the genocide wrought in the 1970s by the Khmer Rouge, some Cambodians told themselves that dance was the reason for their survival. Hamera investigates the fraught relations between history, trauma, and truth. At stake is the survival of a family—and of a culture.
Subject
Literature and Literary Theory,Visual Arts and Performing Arts
Cited by
17 articles.
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