Abstract
In this article, occasioned by the fiftieth-anniversary of the Whitney Independent Study Program, art-historian Huey Copeland considers the vexed intersections of blackness, gender, and institutional critique in the contemporary art world as modeled both by his own practice and that of David Hammons.
Subject
Literature and Literary Theory,Music,Visual Arts and Performing Arts
Cited by
1 articles.
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1. How to See Like Hammons;liquid blackness;2021-10-01