The Pixelated Revolution

Author:

Mroué Rabih1,Martin Carol2

Affiliation:

1. Rabih Mroué was born in Beirut in 1967. He is an actor, director, playwright, and a Contributing Editor of TDR and the Lebanese quarterly Kalamon. He is one of the founders and sits on the executive board of the Beirut Art Center association (BAC). In 1990 he began putting on his own plays, performances, and videos. Grant awards include: Foundation for Contemporary Arts, New York, 2010; The Spalding Gray Award, P.S.122, New York, 2010; and the Prince Claus Award, Amsterdam, 2011. His works include Photo...

2. Carol Martin is Professor of Drama at NYU. Her books include Theatre of the Real (Palgrave/MacMillan, 2012), The Dramaturgy of the Real on the World Stage (Palgrave/MacMillan, 2010); Brecht Sourcebook, coedited with Henry Bial (Routledge, 2000); A Sourcebook of Feminist Theatre: On and Beyond the Stage (Routledge, 1996); and Dance Marathons: Performing American Culture of the 1920s and 1930s (University of Mississippi Press, 1994). She has been awarded a Visiting Professor Fellowship at Tokyo University,...

Abstract

How should we understand the mobile phone images uploaded to the internet during the ongoing Syrian Revolution? Are the broken-up and incomplete images taken by Syrians an extension of their physical experiences? Are mobile phones extensions of photographers' brains, of their bodies, of their beings?

Publisher

MIT Press - Journals

Subject

Literature and Literary Theory,Visual Arts and Performing Arts

Cited by 35 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

1. Bibliography;Shooting for Change;2024-02-23

2. Notes;Shooting for Change;2024-02-23

3. Listening to Camptown Photographs;Shooting for Change;2024-02-23

4. The DMZ, Camptowns, and the Theater of Repetition;Shooting for Change;2024-02-23

5. The Photo Public in the Kwangjang;Shooting for Change;2024-02-23

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