Abstract
In the early 21st century, Williamsburg and Bushwick—two Brooklyn neighborhoods—became home to a glut of experimental performance venues. The location, neighborhoods colloquially called “frontiers,” suggests that this avantgarde’s experimentation demanded geographic poverty—peripheral, deindustrialized areas where neoliberal policy and racism obscured existing meanings of place.
Subject
Literature and Literary Theory,Visual Arts and Performing Arts
Cited by
13 articles.
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1. Place-Making, Identities, and the Politics of Urban Life: Theatre and the City. An Introduction;Journal of Contemporary Drama in English;2023-05-01
2. Bibliography;The Williamsburg Avant-Garde;2023-02-03
3. Art Sources for the Williamsburg Avant-Garde;The Williamsburg Avant-Garde;2023-02-03
4. Notes;The Williamsburg Avant-Garde;2023-02-03
5. Art, Experiment, and Capital;The Williamsburg Avant-Garde;2023-02-03