Transferred Flesh: Reflections on Senga Nengudi’s R.S.V.P.

Author:

Bradley Rizvana1

Affiliation:

1. Rizvana Bradley is Assistant Professor of Women’s, Gender and Sexuality Studies at Emory University. She has published her work in Discourse: Journal for Theoretical Studies in Media and Culture, is the Guest Editor of a forthcoming special issue of Women and Performance: A Journal of Feminist Theory, and has an essay forthcoming in Black Camera: An International Film Journal. She was the Helena Rubinstein Critical Studies Fellow at the Whitney Museum of American Art in New York.

Abstract

The performance of Senga Nengudi’s sculptural work R.S.V.P., as part of the exhibition Radical Presence: Black Performance in Contemporary Art, explores the limits of sculptural form, while also submitting idealized representations of the black body in contemporary performance to abstract interrogation.

Publisher

MIT Press - Journals

Subject

Literature and Literary Theory,Visual Arts and Performing Arts

Reference16 articles.

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