A Strata-Based Approach to Discussing Artistic Data Sonification

Author:

Mardakheh Milad Khosravi1ORCID,Wilson Scott2ORCID

Affiliation:

1. Milad Khosravi Mardakheh, University of Birmingham, Department of Music, Edgbaston, Birmingham, B15 2TT, U.K. Email: m.khosravimardakheh@bham.ac.uk.

2. Scott Wilson, University of Birmingham, Department of Music, Edgbaston, Birmingham, B15 2TT, U.K. Email: s.d.wilson@bham.ac.uk.

Abstract

Abstract Much discussion surrounding data sonification for musical and artistic purposes focuses on seeming contradictions that arise from the ways in which this practice differs from that of data sonification as a scientific tool. Over the past 30 years, this debate has become a rabbit hole of questions and arguments regarding the nature of music/sound-art and data sonification, and of their relationships with one another. In the following article, the authors identify three areas/classifications of artistic sonification, using a “strata” metaphor with the hope of bringing clarity to this discussion, as well as enabling reflection on the nature of science-art collaborations using this approach.

Publisher

MIT Press

Subject

Computer Science Applications,Music,Engineering (miscellaneous),Visual Arts and Performing Arts

Reference22 articles.

1. “Theory of Sonification,”;Walker,2011

2. “Sonification ≠ Music,”;Scaletti,2018

3. “Sonification and Music, Music and Sonification,”;Vickers,2017

4. “Overt and Hidden Processes in 20th Century Music,”;Christensen,2003

5. “Relationships of sonification to music and sound art,”;Gresham-Lancaster;AI & Society,2012

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