Abstract
Annie Dorsen's digital theatre works reshape the possibilities of the encounter between humans and algorithmic forces. They both address and embody a world in which emotion, cognition, and narrative are increasingly controlled by algorithmic programs; and they invite the spectator to confront a nonhuman and algorithmic logic experientially, altered and pressurized by the terms of the theatre itself.
Subject
Literature and Literary Theory,Visual Arts and Performing Arts
Cited by
3 articles.
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1. Performing the Post-Anthropocene;TDR: The Drama Review;2023-12
2. Of Minds and Machines;Theater;2023-11-01
3. Nonmaterial Performance;TDR/The Drama Review;2020-12