Abstract
Nelisiwe Xaba’s Fremde Tänze is a remarkable exercise in transplanted exoticism. Its trenchant critique of German imaginings of racialized and eroticized Others unavoidably took on different meanings when Xaba performed it in Chicago in the fall of 2017.
Subject
Literature and Literary Theory,Visual Arts and Performing Arts
Cited by
1 articles.
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1. From Postmigrant to Posthuman;TDR: The Drama Review;2023-06