The Color of Influence: A Provenance Study of Hematite-Based Paints on Early Olmec Carved Pottery

Abstract

AbstractRecent research and debates regarding the origin and spread of Olmec iconography during the Early Formative have centered on provenance and stylistic analyses of carved and incised pottery. Studies by instrumental neutron activation analysis (INAA) have indicated that Gulf Coast-style carved-incised pots were exported extensively from the area of the first Olmec capital, San Lorenzo, to several other regions of Mesoamerica. More recently, excavations at the Pacific Coast site of Cantón Corralito have shown that carved-incised pottery and other Olmec-style artifacts dominate strata contemporary with Early Olmec, suggesting the site may represent a settlement enclave of Gulf Olmec peoples. In this study we provide additional evidence of exchange between the Gulf Olmec and the Pacific Coast region by using laser ablation time-of-flight inductively coupled plasma mass spectrometry (LA-TOF-ICP-MS) to characterize hematite-based paints on Olmec-style pottery from Cantón Corralito, and to compare these paints to raw hematite recovered from Cantón Corralito and San Lorenzo. When examined in combination with sherd provenance data, the LA-TOF-ICP-MS data demonstrate that Olmec vessels were decorated in the San Lorenzo region before being exported to the Pacific Coast, and that Gulf Coast hematite was exported to Cantón Corralito, where it was used to enhance Olmec-style symbolism on locally produced vessels.