Abstract
This essay examines a contemporary poetics that implicitly challenges prevailing critiques of lyric as asocial, monologic, and naively self-expressive. Louise Glück practices a lyric mode whose plainspoken surface and emotional immediacy belie its metalinguistic and metafictional complexity. Her poems' illocutionary structures and their attunement to everyday grammatical nuance convey an understanding of language as situational, context-dependent shared action, an understanding that chimes with the insights of ordinary-language philosophy. The perspectives offered by Glück's work can fruitfully complicate dominant models of lyric and binary narratives of American poetic history that set lyric voice against philosophical ambition and linguistic innovation.
Publisher
Modern Language Association (MLA)
Subject
Literature and Literary Theory,Linguistics and Language,Language and Linguistics
Cited by
5 articles.
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