Elements of a counter‐exhibition: Excavating and countering a Canadian history and legacy of eugenics

Author:

Kelly Evadne1ORCID,Manning Dolleen Tisawii'ashii2,Boye Seika3,Rice Carla1ORCID,Owen Dawn4,Stonefish Sky5,Stonefish Mona6

Affiliation:

1. Re•Vision: The Centre for Art and Social Justice University of Guelph Guelph Ontario Canada

2. Department of Philosophy and the Cultural Studies Program Queen's University Kingston Ontario Canada

3. Centre for Drama, Theatre & Performance Studies University of Toronto Guelph Ontario Canada

4. Guelph Museums Guelph Ontario Canada

5. Anishinaabe jingle dress dancer, photographer, and activist Windsor Ontario Canada

6. Anishinaabe Elder, artist, and Traditional Knowledge Keeper Windsor Ontario Canada

Funder

Social Sciences and Humanities Research Council of Canada

Publisher

Wiley

Subject

Psychology (miscellaneous),History

Reference61 articles.

1. Accessible‐Exhibition‐Design.pdf. (n.d.). Retrieved April 3 2020 fromhttps://www.sifacilities.si.edu/ae_center/pdf/Accessible-Exhibition-Design.pdf

2. The influence of betterment discourses on Canadian Aboriginal peoples in the late nineteenth and early twentieth centuries

3. Searching for answers in the garden of bioethics;Boivin L.;Ars Medica, Vancouver,2015

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