The Jesuit painting Seminario in Japan: European Renaissance technology and its influence on Far Eastern art
Author:
Affiliation:
1. Independent Researcher Expert Witness Rome Italy
2. S.T.Art‐Test sas Palermo Italy
3. Laboratory of Diagnostics and Materials Science University of Tuscia, Largo dell'Università Viterbo Italy
Publisher
Wiley
Subject
Spectroscopy
Link
https://onlinelibrary.wiley.com/doi/pdf/10.1002/xrs.3256
Reference60 articles.
1. A polychrome Mukozuke (1624–1644) porcelain offers a new hypothesis on the introduction of European enameling technology in Japan
2. The Origin of overglaze-blue enameling in Japan: New discoveries and a reassessment
3. European ceramic technology in the Far East: enamels and pigments in Japanese art from the 16th to the 20th century and their reverse influence on China
4. Down-Sizing in Analytical Chemistry. Portable X-ray fluorescence spectrometer system containing a low-level radioisotope and its application to the non-destructive analysis of inorganic colorants used for the traditional Japanese votive picture.
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1. European Smalt in 17th-Century Japan: Porcelain Decoration and Sacred Art;Heritage;2024-06-05
2. The Art of the Jesuit Mission in 16th-Century Japan: The Italian Painter Giovanni Cola and the Technological Transfer at the Painting Seminario in Arie;Eikon / Imago;2022-03-01
3. The Technology Transfer from Europe to China in the 17th–18th Centuries: Non-Invasive On-Site XRF and Raman Analyses of Chinese Qing Dynasty Enameled Masterpieces Made Using European Ingredients/Recipes;Materials;2021-12-03
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