Interpreting technical evidence from spectral imaging of paintings by Édouard Manet in the Courtauld Gallery-Reference-Cited by-同舟云学术

Interpreting technical evidence from spectral imaging of paintings by Édouard Manet in the Courtauld Gallery

Published:2018-01-23 Issue:4 Volume:48 Page:282-292
ISSN:0049-8246
Container-title:X-Ray Spectrometry
language:en
Short-container-title:X‐Ray Spectrometry

Author:

Amato Silvia Rita¹^ORCID,Burnstock Aviva¹,Cross Maureen¹,Janssens Koen²,Rosi Francesca³,Cartechini Laura³,Fontana Raffaella⁴,Fovo Alice Dal⁴,Paolantoni Marco⁵,Grazia Chiara⁵,Romani Aldo⁵,Michelin Anne⁶,Andraud Christine⁶,Tournié Aurélie⁶,Dik Joris⁷

Affiliation:

1. Department of Conservation and Technology The Courtauld Institute of Art Somerset House, Strand London WC2R 0RN UK

2. University of Antwerp, Campus Groenenborger Groenenborgerlaan 171 Antwerp G.V. 144 2020 Belgium

3. CNR‐ISTM Via Elce di sotto 9 Perugia 06123 Italy

4. CNR‐INO Largo E. Fermi 6 Florence 50125 Italy

5. Centre of excellence SMAArt c/o Department of Chemistry, Biology and Biotechnology University of Perugia Via Elce di sotto 9 Perugia 06123 Italy

6. Centre de Recherche sur la Conservation, (CRC, USR 3224), Muséum National d'Histoire Naturelle Ministère de la Culture et de la Communication CNRS, 36 rue Geoffroy‐Saint‐Hilaire, CP21 Paris 75005 France

7. Delft University of Technology Mekelweg 2 Delft 2628 the Netherlands

Publisher

Wiley

Subject

Spectroscopy

Link

https://onlinelibrary.wiley.com/doi/pdf/10.1002/xrs.2828

Reference30 articles.

1. Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience

2. Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review

3. Complementary Standoff Chemical Imaging to Map and Identify Artist Materials in an Early Italian Renaissance Panel Painting

4. Disclosing Jackson Pollock’s palette in Alchemy (1947) by non-invasive spectroscopies

5. Reflectance imaging spectroscopy and synchrotron radiation X-ray fluorescence mapping used in a technical study of The Blue Room by Pablo Picasso

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