Design and Development of Sustainable Polyurethane Foam: A Proof‐of‐Concept as Customizable Packaging for Cultural Heritage Applications

Author:

Pascarella Annachiara12,Recupido Federica2,Lama Giuseppe Cesare2,Sorrentino Luigi2,Campanile Assunta1,Liguori Barbara1,Berthet Mathéo3,Rollo Gennaro4,Lavorgna Marino24ORCID,Verdolotti Letizia2

Affiliation:

1. Department of Chemical, Materials and Industrial Production Engineering (DiCMaPi) University of Naples Federico II, Piazzale V. Tecchio 80 80125 Naples Italy

2. Institute for Polymers, Composites and Biomaterials Italian National Council (IPCB‐CNR) Piazzale E. Fermi 1. 80055 Portici Italy

3. Research & Development Products Synthesis Department Specific Polymers 150 Avenue des Cocardières Castries 34160 France

4. Institute for Polymers, Composites and Biomaterials Italian National Council (IPCB‐CNR) via G. Previati, 1/E 23900 Lecco Italy

Abstract

World cultural heritage is an invaluable resource and must be preserved. Conventional packaging materials, such as polystyrene, polyurethane (PU) foams, paper‐like tissue, and nylon fabric, are petrol‐based. According to Agenda 2030, and Green Deal directives, the development of alternative bio‐based materials has gained significant scientific and technological relevance. In this scenario, a new sustainable packaging material for safe storage and transporting of the artifacts, based on a sustainable PU foam filled with 6 wt% of Zeolite 4A, is proposed. Zeolite 4A dispersion into PU matrix imparts higher compression strength and energy absorption capability with respect to unloaded materials (7‐fold increase), owing to its remarkable cell nucleating effect. The proposed foam can adsorb water vapor, up to 29 wt%, thus contributing to regulating the humidity around the artifact. A remarkable advantage of the developed foam is the possibility to use it as plaster for precisely casting the article to protect, resulting in strongly improved handling, protection, and transportation safety with respect to conventional packaging solutions. A proof‐of‐concept workflow is proposed, consisting of: 1) three‐dimensional (3D) scanning of the original artifact; 2) its replication through 3D printing; 3) the use of such a replica to prepare a tailored cast of the artifact shape.

Publisher

Wiley

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