Piano Automatic Composition and Quantitative Perception under the Data-Driven Architecture

Author:

Ren Chao1ORCID

Affiliation:

1. Music and Dance Department, Zhoukou Normal University, East Wenchang Street, Chuanhui District, Zhoukou City, Henan Province 466001, China

Abstract

This paper combines automatic piano composition with quantitative perception, extracts note features from the demonstration audio, and builds a neural network model to complete automatic composition. First of all, in view of the diversity and complexity of the data collected in the quantitative perception of piano automatic composition, the energy efficiency-related state data of the piano automatic composition operation is collected, carried out, and dealt with. Secondly, a perceptual data-driven energy efficient evaluation and decision-making method is proposed. This method is based on time series index data. After determining the time subjective weight through time entropy, the time dimension factor is introduced, and then the subjective time weight is adjusted by the minimum variance method. Then, we consider the impact of the perception period on the perception efficiency and accuracy, calculate and dynamically adjust the perception period based on the running data, consider the needs of the perception object in different scenarios, and update the perception object in real time during the operation. Finally, combined with the level weights determined by the data-driven architecture, the dynamic manufacturing capability index and energy efficiency index of the equipment are finally obtained. The energy efficiency evaluation of the manufacturing system of the data-driven architecture proves the feasibility and scientificity of the evaluation method and achieves the goal of it. The simulation experiment results show that it can reduce the perception overhead while ensuring the perception efficiency and accuracy.

Publisher

Hindawi Limited

Subject

Electrical and Electronic Engineering,Instrumentation,Control and Systems Engineering

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