Exploring the Visual Space Structure of Oil Painting Based on Visual Importance

Abstract

For present and future design, research on visual-spatial language and the mastery of its fundamental concepts is extremely valuable. Since a more comprehensive research system has not yet been established to investigate the aesthetics of visual form and its significance, the research fields of spatial color and spatial structure relationships are currently relatively unique. The visual forms of design will be fundamentally affected by the diverse development of the design thinking ideology, and the expansion of design language will become a given. Design thinking and methods are significantly impacted by the emphasis on digital technology in online media. Design is no longer restricted to the arrangement of two-dimensional planes thanks to the visual space of oil paintings; three-dimensional space and time organization structures are combined with visual elements, and content layout evolves from static layout to dynamic interactive layout. In order to better understand visual space and intuition, this study begins by examining the structure of visual space in oil paintings. It does this by using artistic psychology and spatial space as research hints. The experimental results demonstrate that the depth-aware image quality evaluation algorithm in this study consumes more time than the MSEPF + 30 algorithm and the MSEPF + 50 algorithm by 12 ms and 15 ms, respectively, while the time consumption of individual particles is increased by 0.08 ms and 0.04 ms, respectively. This algorithm can thus meet the real-time requirements. As a result, it is anticipated that this study will address more comprehensive and detailed data as well as theoretical underpinnings that will be helpful in the study of painting art.