Abstract
Media plays a crucial role in the development and preservation of collective memory. Each social group constructs a memory package from its past, emphasizing its uniqueness and passing it on to future generations. As a creator of social constructs, the media has a primary role in shaping and building collective memory. Monitoring television, online platforms, and social networks reveals that the media aims to create new perspectives on history by constructing framework packages, focusing on diagnosing the past, and building understandings of the present. Another analyzed aspect is the musealization of memory, where the media treats stories as museum objects, illustrating the values of a bygone era. Through the notion of the small screen as a historical eye, television creates its own self-memory. Analysis of memory narratives indicates that nostalgia and drama are essential tools for their marketing. The analysis of this discourse leads us to the idea of "media as part of history."
Reference20 articles.
1. Cipuri, R. (2011). Challenges of the written press in front of the electronic media. Albanological Studies, Integrated Communication (Concepts, Strategies, Practices), 2011(4), 30.
2. Burr, V. (2015). Social Constructionism. London: ROUTLEDGE. https://doi.org/10.4324/9781315715421
3. CNA. (2016, January 18). Former Insurance Journalists/ Some aliases and opening files (Gazetarët e ish-sigurimit/ Disa pseudonime dhe hapja e dosjeve). CNA on line. https://www.cna.al/2016/01/18/gazetaret-e-ish-sigurimit-disa-pseudonime-dhe-hapja-e-dosjeve/
4. Entman, R. (1993). Framing: Toward Clarification of a Fractured Paradigm. Journal of Communication, 43(4), 51-58. https://doi.org/10.1111/j.1460-2466.1993.tb01304.x
5. Barker, C. (1999). Television, Globalization and Cultural Identities. Buckingham: Open University Press. https://lib.ugent.be/en/catalog/rug01:000519341
Cited by
10 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献