1. Arrowsmith C, Verhoeven D, Maltby R and Walsh M. (2010). ‘Media geographies: a geographic study of cinema in Australia for the period 1948–1971’. Paper presented toRoyal Geographical Society/Institute of British Geographers Conference, London, Sep 1–3.
2. Arrowsmith C and Verhoeven D. (2011). ‘Visual methods for showing cinema circuits at varying temporal and spatial scales’,Proceedings of the Geospatial Science Research_1 Symposium, Geospatial Science Research Group, RMIT University, ed. by Arrowsmith, C., Bellman, C., Cartwright, W., Jones, S. and Shortis, M., Melbourne, Dec 12–14, CD ROM.
3. Bertrand I. (1987). ‘David and Goliath: the grand theatre company and the national exhibition chains’, inHistory on/and/in Film, ed. by O’Regan T and Shoesmith B, pp. 106–109, History & Film Association of Australia, Perth.
4. Caquard S and Fiset JP. (2013). ‘How can we map stories? A cybercartographic application for narrative cartography’,The Journal of Maps, http://www.tandfonline.com/doi/full/10·1080/17445647·2013·847387#.Ulc4vTAyZ8F (accessed 11 October 2013).
5. Caquard S, Naud D and Wright B. (2014). ‘Mapping film audiences in multicultural Canada: examples from the Cybercartographic Atlas of Canadian Cinema’, inLocating the Moving Image: New Approaches to Film and Place, ed. by Hallam J and Roberts L, pp. 130–149, Indiana University Press, Bloomington, IN.