Materials in Gonkar Gyatso’s work: continuity and contrast with the Tibetan painting tradition

Author:

Cotte Sabine1

Affiliation:

1. Private painting conservator|Centre for Cultural Materials Conservation, University of Melbourne

Publisher

Informa UK Limited

Subject

Museology,Conservation

Reference34 articles.

1. Artists Documentation Program, a collaboration between Menil Foundation, Whitney Museum of American Art, Centre for the Technical Study of Modern Art, Harvard Art Museum, viewed 24 June 2014, http://adp.menil.org/.

2. Beerkens, L, Hoen, P. Hummelen, I, Van Saaze, V, Scholte, T, Stigter, (eds) 2012, The artist interview, for conservation and presentation of contemporary art; guidelines and practice, Jap Sam Books, Heijnigen.

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