AMERICA’S COLORMEN: BOCOUR, LEVISON, GAMBLIN, AND GOLDEN

Author:

Hill Stoner Joyce1

Affiliation:

1. Joyce Hill Stoner has taught for the Winterthur/UD Program in Art Conservation since 1976. She was managing editor of Art & Archaeology Technical Abstracts (AATA) (1969-86) and has been coordinator of the FAIC oral history project since 1975. She received her conservation training at NYU (1968-73) and a PhD in art history from the University of Delaware (1995). Address: Winterthur/UD Program in Art Conservation, Winterthur Museum, Rt 52, Winterthur, DE 19735, USA.

Publisher

Informa UK Limited

Subject

Conservation

Reference25 articles.

1. Meryman, R., Andrew Wyeth: A Secret Life, HarperCollins, New York (1996) 118.

2. Marontate, J.L.A. ‘Synthetic media and modern painting: a case study in the sociology of innovation’, unpublished thesis, University of Montreal (1996).

3. Crook, J., and Learner, T., The Impact of Modern Paints, Watson-Guptill, New York (2000) 123.

4. Leonard Bocour to Paul Cummings, 8 June 1978, manuscript owned by Archives of American Art, copy in FAIC file.

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