MEANING MATTERS: COLLABORATING WITH CONTEMPORARY ARTISTS-Reference-Cited by-同舟云学术

MEANING MATTERS: COLLABORATING WITH CONTEMPORARY ARTISTS

Published:2004-09-01 Issue:sup2 Volume:49 Page:30-33
ISSN:0039-3630
Container-title:Studies in Conservation
language:en
Short-container-title:Studies in Conservation

Author:

Davies Laura¹,Heuman Jackie²

Affiliation:

1. Laura Davies has worked as a sculpture conservator at the Tate Gallery since 2000. She completed a BA in fine art and then an MA in conservation at the Royal College of Art / Victoria and Albert Museum whilst on placement at the Museum of London. She completed an internship in the sculpture conservation department at the Museum of Modern Art, New York. From 1999-2000 she was objects conservator at the Science Museum, London. Address: Tate, Sculpture Conservation, Millbank, London SW1 4RG, UK.

2. Jackie Heuman has been a senior sculpture conservator for over 15 years in the sculpture conservation section at Tate. She studied sculpture and conservation (BA) at the University of California at Santa Cruz and then completed an objects conservation internship at the Fine Arts Museums of San Francisco (FAMSF). She worked as an ethnographic conservator at FAMSF before moving to London. Address as for Davies.

Publisher

Informa UK Limited

Subject

Conservation

Link

https://www.tandfonline.com/doi/pdf/10.1179/sic.2004.49.s2.007

Reference9 articles.

1. Tate Gallery Illustrated Catalogue of Acquisitions, Tate Gallery, London (1982–84) 210.

2. Wilson, S., Tate Gallery: An Illustrated Companion, revised edition, Tate Gallery, London (1991) 293.

3. Jackson, T., interview with Anish Kapoor, 23 June 1998.

4. 'Answer the questions' [interview with Anya Gallacio], Independent on Sunday, 15 September 2002.

Cited by 6 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. Integrating Front-of-House with Behind-the-Scenes Practice in Contemporary Art Conservation;Conservation of Contemporary Art;2023-12-31

2. Reframing the Notion of “The Artist’s Intent:” A Study of Caring for Thomas Hirschhorn’s Intensif-Station (2010);Journal of the American Institute for Conservation;2021-02-08

3. The Ephemeral, the Essential and the Material in the Conservation of Contemporary Art: Decision-Making for the Conservation of a Work of Art Made with Butterfly Wings;Studies in Conservation;2018-07-27

4. Negotiated Outcomes: Investigating Comparative Colour Change of Proprietary Artist Coating Materials for Contemporary Paintings;AICCM Bulletin;2017-07-03

5. Dialogue in conservation decision-making;Studies in Conservation;2016-06-01