Comparative, Entangled, Parallel and ‘Other’ Cinema Histories. Another Reflection on the Comparative Mode Within New Cinema History
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Netherlands Institute for Sound and Vision
Cited by 5 articles. 订阅此论文施引文献 订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献
1. Novelty, disappointment, and nostalgia in the cinema-going experience in Saltillo, México during the 1980s;Comunicación y Sociedad;2024-07-03
2. Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history;Continuum;2024-03-03
3. Cinema Intermediaries, Communities and Audiences (Soviet Siberia, Post-Ottoman Greek Thessaloniki, Colonial Maghreb);The Palgrave Handbook of Comparative New Cinema Histories;2024
4. Discovering Cinema Typologies in Urban Cinema Cultures: Comparing Programming Strategies in Antwerp and Amsterdam, 1952–1972;The Palgrave Handbook of Comparative New Cinema Histories;2024
5. Cinephiles without Films: Culture, Censorship and Alternative Forms of Film Consumption in Spain and the GDR around 1960;The Palgrave Handbook of Comparative New Cinema Histories;2024
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