Invoke: A Collaborative Virtual Reality Tool for Spatial Audio Production Using Voice-Based Trajectory Sketching

Author:

Deacon Thomas1ORCID,Barthet Mathieu2ORCID

Affiliation:

1. Centre for Vision, Speech and Signal Processing (CVSSP), University of Surrey, United Kingdom

2. Centre for Digital Music, Queen Mary University of London, United Kingdom

Funder

AHRC

EPSRC

Publisher

ACM

Reference20 articles.

1. SonicExplorer

2. Enda Bates and Francis  M. Boland . 2016 . Spatial Music, Virtual Reality and 360 Media . AES Conference on Audio for Virtual and Augmented Reality (2016), 1–8. Enda Bates and Francis M. Boland. 2016. Spatial Music, Virtual Reality and 360 Media. AES Conference on Audio for Virtual and Augmented Reality (2016), 1–8.

3. Designing collaborative musical experiences for broad audiences

4. Joe Bennett . 2014. Collaborative Songwriting – The Ontology Of Negotiated Creativity In Popular Music Studio Practice. Journal on the Art of Record Production1 ( 2014 ), 1–8. Joe Bennett. 2014. Collaborative Songwriting – The Ontology Of Negotiated Creativity In Popular Music Studio Practice. Journal on the Art of Record Production1 (2014), 1–8.

5. Tina Blaine and Sidney Fels . 2010. Collaborative Musical Experiences for Novices. Journal of New Music Research (aug 2010 ). Tina Blaine and Sidney Fels. 2010. Collaborative Musical Experiences for Novices. Journal of New Music Research (aug 2010).

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