Integrating Citizen Experiences in Cultural Heritage Archives: Requirements, State of the Art, and Challenges

Author:

Daga Enrico1ORCID,Asprino Luigi2,Damiano Rossana3,Daquino Marilena2,Agudo Belen Diaz4,Gangemi Aldo5,Kuflik Tsvi6,Lieto Antonio7,Maguire Mark8,Marras Anna Maria9,Pandiani Delfina Martinez2ORCID,Mulholland Paul1,Peroni Silvio2,Pescarin Sofia10,Wecker Alan6

Affiliation:

1. The Open University, Milton Keynes, United Kingdom

2. University of Bologna, Bologna, Italy

3. University of Turin (CIRMA and Dipartimento di Informatica), Turin, Italy

4. Complutense University of Madrid, Madrid, Spain

5. CNR, ISTC–Institute of Cognitive Sciences and Technologies, Rome, Italy

6. The University of Haifa, Mount Carmel, Haifa, Israel

7. University of Turin (CIRMA and Dipartimento di Informatica) and ICAR-CNR, Turin, Italy

8. Irish Museum of Modern Art, Dublin, Ireland

9. University of Turin, Turin, Italy

10. CNR ISPC–Institute of Heritage Science, Florence, Italy

Abstract

Digital archives of memory institutions are typically concerned with the cataloguing of artefacts of artistic, historical, and cultural value. Recently, new forms of citizen participation in cultural heritage have emerged, producing a wealth of material spanning from visitors’ experiential feedback on exhibitions and cultural artefacts to digitally mediated interactions like the ones happening on social media platforms. Citizen curation is proposed in the context of the European project SPICE (Social Participation, Cohesion, and Inclusion through Cultural Engagement) as a methodology for producing, collecting, interpreting, and archiving people’s responses to cultural objects, with the aim of favouring the emergence of multiple, sometimes conflicting, viewpoints and motivating users and memory institutions to reflect upon them. We argue that citizen curation urges to rethink the nature of computational infrastructures supporting data management of memory institutions, bringing novel challenges that include issues of distribution, authoritativeness, interdependence, privacy, and rights management. To approach these issues, we survey relevant literature toward a distributed, Linked Data infrastructure, with a focus on identifying the roles and requirements involved in such an infrastructure. We show how existing research can contribute significantly in facing the challenges raised by citizen curation and discuss challenges and opportunities from the socio-technical standpoint.

Funder

European Union’s Horizon 2020 research and innovation programme under grant agreements “SPICE - Social Cohesion, Participation, and Inclusion through Cultural Engagement”

Publisher

Association for Computing Machinery (ACM)

Subject

Computer Graphics and Computer-Aided Design,Computer Science Applications,Information Systems,Conservation

Reference120 articles.

1. John Arwe, Steve Speicher, and Ashok Malhotra. 2015. Linked Data Platform 1.0. W3C Recommendation. Retrieved from https://www.w3.org/TR/2015/REC-ldp-20150226/.

2. Using social media to stimulate history reflection in cultural heritage

3. Data journeys: Capturing the socio-material constitution of data objects and flows

4. Social media analytics: a survey of techniques, tools and platforms

5. Peter Bazalgette. 2017. The Empathy Instinct: How to Create a More Civil Society. Hachette UK.

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