Connected Layers: Evaluating Visualizations of Embodiment in Contemporary Dance Performances-Reference-Cited by-同舟云学术

Connected Layers: Evaluating Visualizations of Embodiment in Contemporary Dance Performances

Published:2021-02-14 Issue: Volume: Page:
ISSN:
Container-title:Proceedings of the Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction
language:
Short-container-title:

Author:

Correia Nuno N.¹,Masu Raul²,Pham An Hoang Dieu³,Feitsch Jochen⁴

Affiliation:

1. University of Greenwich, London, UK and ITI/LARSyS, Funchal, Portugal

2. ITI/LARSyS, Funchal and DI, FCT, Universidade Nova de Lisboa, Caparica, Portugal

3. Erasmus University Rotterdam, Rotterdam, Netherlands

4. University of Applied Sciences Düsseldorf, Düsseldorf, Germany

Funder

ARDITI

Education, Audiovisual, and Culture Executive Agency - Creative Europe

LARSyS

Publisher

ACM

Link

https://dl.acm.org/doi/pdf/10.1145/3430524.3440621

Reference40 articles.

1. CHOREOGRAPHIC MORPHOLOGIES: DIGITAL VISUALISATION OF SPATIO-TEMPORAL STRUCTURE IN DANCE AND THE IMPLICATIONS FOR PERFORMANCE AND DOCUMENTATION

2. Performance-Led Research in the Wild

3. S. M. Astrid Bin , Nick Bryan-Kinns , and Andrew McPherson . 2017 . Hands where we can see them! Investigating the impact of gesture size on audience perception . In Proc. International Computer Music Conference 2017 . ICMC, Shanghai, 1–6. http://hdl.handle.net/ 2027/spo.bbp2372.2017.052 S. M. Astrid Bin, Nick Bryan-Kinns, and Andrew McPherson. 2017. Hands where we can see them! Investigating the impact of gesture size on audience perception. In Proc. International Computer Music Conference 2017. ICMC, Shanghai, 1–6. http://hdl.handle.net/2027/spo.bbp2372.2017.052

4. S. M. Astrid Bin , Nick Bryan-Kinns , and Andrew P. McPherson . 2016 . Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response. In NIME ’16 Proceedings of the 2016 Conference on New Interfaces for Musical Expression. NIME, Brisbane, 200–205 . http://www.nime.org/proceedings/2016/nime2016_paper0041.pdf S. M. Astrid Bin, Nick Bryan-Kinns, and Andrew P. McPherson. 2016. Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response. In NIME ’16 Proceedings of the 2016 Conference on New Interfaces for Musical Expression. NIME, Brisbane, 200–205. http://www.nime.org/proceedings/2016/nime2016_paper0041.pdf

5. S. M. Astrid Bin , Fabio Morreale , Nick Bryan-Kinns , and Andrew P. McPherson . 2017. In-the-moment and Beyond: Combining Post-hoc and Real-Time Data for the Study of Audience Perception of Electronic Music Performance . In Human-Computer Interaction - INTERACT 2017(Lecture Notes in Computer Science) . Springer , Cham, Mumbai , 263–281. https://doi.org/10.1007/978-3-319-67744-6_18 S. M. Astrid Bin, Fabio Morreale, Nick Bryan-Kinns, and Andrew P. McPherson. 2017. In-the-moment and Beyond: Combining Post-hoc and Real-Time Data for the Study of Audience Perception of Electronic Music Performance. In Human-Computer Interaction - INTERACT 2017(Lecture Notes in Computer Science). Springer, Cham, Mumbai, 263–281. https://doi.org/10.1007/978-3-319-67744-6_18

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