Kandinsky's Color-Shape Associations in Chinese Context: Do Personality and Affect Matter?

Author:

Gong Zixu1ORCID,Zhang Kang2ORCID,Chen Rongrong3ORCID

Affiliation:

1. Applied Psychology Programme, BNU-HKBU United International College, China

2. Computational Media and Arts Thrust, Hong Kong University of Science and Technology (Guangzhou), China

3. Guangdong Provincial Key Laboratory IRADS, Applied Psychology Programme, BNU-HKBU United International College, China

Funder

Guangdong Provincial Key Laboratory IRADS, BNU-HKBU United International College

Publisher

ACM

Reference32 articles.

1. Wassily Kandinsky . 1947. Point and Line to Plane . Solomon R. Guggenheim Foundation , New York, NY . Wassily Kandinsky. 1947. Point and Line to Plane. Solomon R. Guggenheim Foundation, New York, NY.

2. Wassily Kandinsky . 1946. On the Spiritual in Art . Solomon R. Guggenheim Foundation, New York , NY. Wassily Kandinsky. 1946. On the Spiritual in Art. Solomon R. Guggenheim Foundation, New York, NY.

3. Does History Affect Aesthetic Preference? Kandinsky's Teaching of Colour-Form Correspondence, Empirical Aesthetics, and the Bauhaus

4. Associations of visual forms with colors: The minor role of emotion as the mediator

5. Associations between color and shape in Japanese observers.

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