Inclusive improvisation through sound and movement mapping: from DMI to ADMI-Reference-Cited by-同舟云学术

Inclusive improvisation through sound and movement mapping: from DMI to ADMI

Published:2020-10-26 Issue: Volume: Page:
ISSN:
Container-title:The 22nd International ACM SIGACCESS Conference on Computers and Accessibility
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Author:

Ilsar Alon¹,Kenning Gail²

Affiliation:

1. SensiLab, Monash University Melbourne, Australia

2. UNSW Ageing Futures Institute, Felt Experience & Empathy Lab, University of New South Wales Sydney, Australia

Publisher

ACM

Link

https://dl.acm.org/doi/pdf/10.1145/3373625.3416988

Reference72 articles.

1. Daniel Arfib Jean-Michel Couturier Loic Kessous and Vincent Verfaille. 2002. Strategies of mapping between gesture data and synthesis model parameters using perceptual spaces. Organised sound 7 2 (2002) 127–144. Daniel Arfib Jean-Michel Couturier Loic Kessous and Vincent Verfaille. 2002. Strategies of mapping between gesture data and synthesis model parameters using perceptual spaces. Organised sound 7 2 (2002) 127–144.

2. Curtis Bahn Tomie Hahn and Dan Trueman. 2001. Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music.. In ICMC. Curtis Bahn Tomie Hahn and Dan Trueman. 2001. Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music.. In ICMC.

3. Derek Bailey. 1975. Improvisation. Ampersand. Derek Bailey. 1975. Improvisation. Ampersand.

4. Edgar Berdahl Günter Niemeyer and Julius O Smith. 2009. Using Haptics to Assist Performers in Making Gestures to a Musical Instrument.. In NIME. 177–182. Edgar Berdahl Günter Niemeyer and Julius O Smith. 2009. Using Haptics to Assist Performers in Making Gestures to a Musical Instrument.. In NIME. 177–182.

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