An Interpretable, Flexible, and Interactive Probabilistic Framework for Melody Generation

Author:

Hahn Stephen1ORCID,Zhu Rico1ORCID,Mak Simon1ORCID,Rudin Cynthia1ORCID,Jiang Yue1ORCID

Affiliation:

1. Duke University, Durham, NC, USA

Publisher

ACM

Reference52 articles.

1. Using Factor Oracles for Machine Improvisation

2. Bernard Bel and Jim Kippen. 1992. Modelling music with grammars: formal language representation in the Bol Processor. Bernard Bel and Jim Kippen. 1992. Modelling music with grammars: formal language representation in the Bol Processor.

3. Wallace Berry . 1966. Form in Music . Prentice Hall . Wallace Berry. 1966. Form in Music. Prentice Hall.

4. Allen Clayton Cadwallader and David Gagné. 2007. Analysis of Tonal Music: a Schenkerian Approach. Allen Clayton Cadwallader and David Gagné. 2007. Analysis of Tonal Music: a Schenkerian Approach.

5. William E Caplin . 2001 . Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven . Oxford University Press . William E Caplin. 2001. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven. Oxford University Press.

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