The Meaning in "the Mix": Using Ethnography to Inform the Design of Intelligent Tools in the Context of Music Production-Reference-Cited by-同舟云学术

The Meaning in "the Mix": Using Ethnography to Inform the Design of Intelligent Tools in the Context of Music Production

Published:2021-09 Issue: Volume: Page:
ISSN:
Container-title:Audio Mostly 2021
language:
Short-container-title:

Author:

McGarry Glenn¹,Chamberlain Alan¹,Crabtree Andy¹,Greehalgh Christopher¹

Affiliation:

1. University of Nottingham, United Kingdom

Funder

UKRI EPSRC

Publisher

ACM

Link

https://dl.acm.org/doi/pdf/10.1145/3478384.3478406

Reference43 articles.

1. Considering music production and culture management as an emerging digital ecosystem

2. Karim Barkati and Francis Rousseaux. 2014. How to Understand Digital Studio Outputs: The Case of Digital Music Production. In Artificial Intelligence for Knowledge Management. 151–169. https://doi.org/10.1007/978-3-642-54897-0_9 Karim Barkati and Francis Rousseaux. 2014. How to Understand Digital Studio Outputs: The Case of Digital Music Production. In Artificial Intelligence for Knowledge Management. 151–169. https://doi.org/10.1007/978-3-642-54897-0_9

3. Can we afford these affordances? GarageBand and the double edged sword of Digital Audio Workstations;Bell Adam Patrick;Action , Criticism & Theory for Music Education,2008

4. Phillip Brooker and Wes Sharrock. 2013. Remixing Music Together: The Use and Abuse of Virtual Studio Software as a Hobby. In Ethnomethodology at Play. Directions in Ethnomethodology and Conversation Analysis Peter Tolmie and Mark Rouncefield (eds.). Ashgate 135–155. Phillip Brooker and Wes Sharrock. 2013. Remixing Music Together: The Use and Abuse of Virtual Studio Software as a Hobby. In Ethnomethodology at Play. Directions in Ethnomethodology and Conversation Analysis Peter Tolmie and Mark Rouncefield (eds.). Ashgate 135–155.

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