Computer Technology in Art (Venice Biennale 2019)-Reference-Cited by-同舟云学术

Computer Technology in Art (Venice Biennale 2019)

Published:2019-10-25 Issue: Volume: Page:
ISSN:
Container-title:Proceedings of the XI International Scientific Conference Communicative Strategies of the Information Society
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Author:

Bylieva Daria¹,Lobatyuk Victoria¹,Ershova Natalia¹

Affiliation:

1. Department of Social Sciences, Peter the Great St. Petersburg, Polytechnic University, Saint-Petersburg, Russia

Publisher

ACM

Reference24 articles.

1. Proceedings of the 30th DAAAM International Symposium Proceedings of the 30th DAAAM International Symposium N. Almazova A. Rubtsova E. Krylova A. Almazova-Ilyana 2019. Blended Learning as the Basis for Software Design

2. Piotr Bockowski. 2019. 'Anxiety of Mutations' Jon Rafman's Dream Journal at Venice Biennale. clot. Retrieved from https://www.clotmag.com/oped/anxiety-of-mutations-jon-radmans-dream-journal-at-venice-biennale-by-piotr-bockowski Piotr Bockowski. 2019. 'Anxiety of Mutations' Jon Rafman's Dream Journal at Venice Biennale. clot. Retrieved from https://www.clotmag.com/oped/anxiety-of-mutations-jon-radmans-dream-journal-at-venice-biennale-by-piotr-bockowski

3. Nicolas Bourriaud. 2005. Postproduction. Culture as Screenplay: How Art Reprograms The WORLD. Lukas & Sternberg New York. Retrieved from https://faculty.georgetown.edu/irvinem/theory/Bourriaud-Postproduction2.pdf Nicolas Bourriaud. 2005. Postproduction. Culture as Screenplay: How Art Reprograms The WORLD. Lukas & Sternberg New York. Retrieved from https://faculty.georgetown.edu/irvinem/theory/Bourriaud-Postproduction2.pdf

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