A Corpus Describing Orchestral Texture in First Movements of Classical and Early-Romantic Symphonies

Author:

Le Dinh-Viet-Toan1,Giraud Mathieu2,Levé Florence3,Maccarini Francesco1

Affiliation:

1. CRIStAL, UMR 9189 CNRS, Centrale Lille, Univ. Lille, Univ. Lille, F-59000 Lille, France, France

2. CRIStAL, UMR 9189 CNRS, Centrale Lille, Univ. Lille, CNRS, France

3. MIS, Université de Picardie Jules-Verne, F-80000 Amiens, France, France and CRIStAL, UMR 9189 CNRS, Centrale Lille, Univ. Lille, Univ. Lille, F-59000 Lille, France, France

Funder

CPER MAuVE (ERDF, Région Hauts-de-France)

Publisher

ACM

Reference50 articles.

1. Samuel Adler . 1982 ( first ed.), 2016 ( 4 th ed.). The study of orchestration. Norton . Samuel Adler. 1982 (first ed.), 2016 (4th ed.). The study of orchestration. Norton.

2. Bruce Benward and Marilyn Saker . 2008 ( 8 th ed.). Music in theory and practice (volume 1). McGraw-Hill Professional . Bruce Benward and Marilyn Saker. 2008 (8th ed.). Music in theory and practice (volume 1). McGraw-Hill Professional.

3. Hector Berlioz . 1844 ( first ed.), 1855 , 1882 (english translation by Mary Cowden Clarke). Grand traité d’instrumentation et d’orchestration modernes. Novello . Hector Berlioz. 1844 (first ed.), 1855, 1882 (english translation by Mary Cowden Clarke). Grand traité d’instrumentation et d’orchestration modernes. Novello.

4. Evaluation and combination of pitch estimation methods for melody extraction in symphonic classical music

5. Albert  S. Bregman . 1994. Auditory scene analysis: The perceptual organization of sound . MIT Press . Albert S. Bregman. 1994. Auditory scene analysis: The perceptual organization of sound. MIT Press.

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